that's why all this three development attempts didn't change much at the end. but satisfying solutions can only be archived in cooperation and mutual support, not against the power of software factories. that's why at minimum three independent substitutes were written by users to fill the gap (as you may know. in lightworks the project leaders simply ignore any user request for such a feature for years. In resolve it got implemented, but never worked acceptable in practice. resolves strategy concerning this issues may be characterized as very indifferent, but on the lightworks side things get dictated in much worse and stupid way.Īutomatic clip alignment by sound correlation is very well example for this kind of troubles. yes - that's the bad side of resolve.īut IMHO it still looks more acceptable then the bad state of affairs in lightworks land. bug reports related to this issues usually get ignored in a matchless consequent way. there are lots similar pseudo features, that got implemented to generate buzz at some product presentation, but never worked very well in real live. Thomas Milde wrote:Continuous sound should be no problem, but according to several other posts, sync via audio doesn't seem to work properly in DaVinci (12.1 here), and it didn't work for me for sure this time. DaVinci is just a huge improvement in my Thanks for the offer, but I am on win10. I tried.Īnd yes, I am not a professional, this is for private purposes only, so I need to take the tools which are available (different cams and the like). The audios of the two cams seem to be too different to use it for an audio sync as it is offered by DaVinci. I tried, but I get all kinds of funny results when I try, unless I missed something basic in multicam editing. Now I want to basically create a multicam edit, but for that to work I need two single streams, and not a collection of clips. I use two cams, one of them is running all the time, recording everything, but only from one angle, and the other is the DSLR, with closeups and the like from different angles, but with breaks in between to reposition myself and because of the old 12-minute-problem of DSLRs. The whole thing is a recording of a theatrical performance. I am fully aware of the quality problems of H264 as source.Īs Uli correctly noticed, when I create a timeline with the TC sorted clips, I am losing the gaps in between them. Just to clarify: I use two little tools to prepare the clips for proper work, these are magic lantern for file logging and QTChange to implement TC, and then the clips are transcoded into DNxHD. I could try to do such an app for small fee (if you are Mac based). You would have to simulate Lightworks workflow, by making some app which would read TCs from your clips and create and EDL. For the future this won't be an option since I plan to stop paying for Lightworks. Right now my solution is to create such a kemroll in Lightworks and export a EDL to Resolve. (The TC is valid, Resolve recognizes it, so this should not be the problem)įor info: this functionality is present in Lightworks and is called "kemroll". Is there any other way to use TC to fill a timeline? The only way I found would be to have a continuous audio and try to sync them to that track, which I don't. Now I want to put them on a timeline using the TC to space them accordingly. I have many clips from a DSLR, with breaks in between. Honestly, I read the manual from front to end, but I didn't find a solution yet:
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